Framework of the interview:
actors / agencies:
- Óscar Cornago, philosopher and theatre theoretician
- Archivo Virtual de Artes Escénicas (ARTEA)
- International Seminar on New Dramaturgies
concepts / themes > lenses:
critical cultural policies:
- relations between theory of performing arts and the scene; and between university and the scene – Artea, Archivo Virtual de Artes Escénicas, you as a theorist
critical practices related to the reflection:
- creating the space and conditions for theoretical and artistic reflections on practice / vs. production, market’s request – International Seminar on New Dramaturgies (in regard to the fact that dramaturgy doesn’t exist as a study field and that artists don’t collaborate with dramaturges)
- clear theoretical concepts vs. common sense and doxa; creating the problem
other possible themes:
- ‘return of the real’, intrusion of the real body to the stage / vs. illusionism, fiction
- performativity and/or theatricality – in dance, performance art and theatre
- what would you emphasize as the most prominent critical perspective(s) or concept(s) at the contemporary performing arts scene in Madrid?
